REVIEW: “Glimpses of the Moon” at Shakespeare & Company

Reviewed by Gail M. Burns, October, 1998 Shakespeare & Company does many things well, but the two things it must do well to survive are stage Shakespeare and adapt Edith Wharton to the stage. In “Glimpses of the Moon” they have done the latter very well, but Edith Wharton, no…

REVIEW: “The Triumph of Darkness” at Shakespeare & Company

Reviewed by Gail M. Burns, October, 1998 Shakespeare & Company’s annual Halloween benefit – is highly entertaining and a lousy night of theatre. I have been wrestling with this dichotomy ever since I drove away from The Mount on Friday night. What is an entertainment presented by actors with sets…

REVIEW: “The Glass Menagerie” at the Weston Playhouse

Reviewed by Gail M. Burns, September, 1998 Weston Playhouse is closing its 1998 season with a production of Tennessee Williams’ “The Glass Menagerie”. This is a first for Weston – in all its 62 years of producing plays it has never mounted Williams’ 1945 classic. It may be a first…

REVIEW: “Simpatico” at Manic Stage

Reviewed by Gail M. Burns, September, 1998 The production of Sam Shepard’s “Simpatico” at the Manic Stage in North Adams is theatre with a capital “T”. Actor/director Spencer Trova and company have mounted a riveting production of a dark and complex play. I say “…and company” because this truly is…

REVIEW: “The Little Foxes” at Oldcastle

Reviewed by Gail M. Burns, September, 1998 When I was an aspiring teenage playwright, there were very few female playwrights for me to use as role models. In fact, there was only one – Lillian Hellman (1905-1984). Naturally, I was interested in who this one pioneer was and what she…

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