REVIEW: “Lady Day at Emerson’s Bar & Grill”

by Gail M. Burns, December 2007 Without Gail Nelson and Billie Holiday there would be no Barrington Stage. In the summer of 1995 Julianne Boyd, following her stint as the artistic director of the Berkshire Theatre Festival, announced she was starting her own company and her first production would be Lady…

REVIEW: Irving Berlin’s “White Christmas” at C-R Productions

Reviewed by Gail M. Burns, December 2007 Irving Berlin’s White Christmas is both an attempt to present the beloved 1954 film musical “live on stage” – an effort that is doomed to failure because film and theatre are two completely different art forms – and an excuse to sing and dance to…

REVIEW: The Copake Theatre Company Presents Walking the dog Theater’s Production of “Cyrano”

Reviewed by Gail M. Burns, December 2007 I confess that I have never seen or read any version of Cyrano de Bergerac before entering the Copake Grange on December 1, although that is hardly necessary since the basic plot of Edmond Rostand’s 1897 play has entered the American vernacular. Everything from cartoons…

REVIEW: “Rabbit Hole” at Mill City Productions

Reviewed by Gail M. Burns, December 2007 David Lindsay-Abaire wrote Rabbit Hole after fellow playwright and former Juilliard teacher Marsha Norman (‘Night, Mother) told him to write a play about something that frightened him. Being a good playwright, he wrote about death, because there is nothing bigger and scarier in the entire…

REVIEW: “Miracle on 34th Street” at the New York State Theatre Institute

Reviewed by Gail M. Burns, December 2007 “Is this what Christmas has degenerated into, Doctor? It’s pure commercialism. Is there no true Christmas spirit left in the world?” Maybe I am turning into a real Grinch in my old age, but the NYSTI production of Miracle on 34th Street left me absolutely…