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Category: 2019

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  • 2019

Berkshire Theatre Critics Association Announces Nominations for the 5th Berkie Awards

by Berkshire On StageOctober 20, 2021

(Pittsfield, MA) – The Berkshire Theatre Critics Association (BTCA) is pleased to announce the nominees for the 5th Berkshire Theatre Awards, known colloquially as The Berkies. This…

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REVIEW: “The Snow Queen” at the Ancram Opera House

by Berkshire On StageDecember 9, 2019

by Barbara Waldinger Fairy tales never lose their power to affect us, no matter how old we get.  Jeffrey Mousseau’s beautiful production of The Snow…

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REVIEW: “It’s A Wonderful Life: Live from the WVL Radio Theater” at Capital Repertory Theatre

by Berkshire On StageNovember 30, 2019

by Roseann Cane Frank Capra’s It’s a Wonderful Life, it may surprise you to learn, did not do well at the box office when it…

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REVIEW: “Yellow” at Troy Foundry Theatre

by Berkshire On StageNovember 4, 2019

by Roseann Cane As you enter the Trojan Hotel, the bar and ballroom of which date from 1830, the immersion begins. The hotel, abandoned for…

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REVIEW: “Pipeline” at WAM Theatre

by Berkshire On StageOctober 29, 2019

by Barbara Waldinger Pipeline, Dominique Morisseau’s heartbreakingly beautiful, Obie Award-winning play, is currently being presented by WAM Theatre at Shakespeare & Company’s Elayne P. Bernstein…

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REVIEW: “American Underground” at Barrington Stage Company

by Berkshire On StageOctober 14, 2019

by Barbara Waldinger In a Study Guide for Barrington Stage Company’s production of American Underground, the playwright, Brent Askari, asserts that he likes telling “genre…

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REVIEW: “Water, Water, Everywhere…” at Oldcastle Theatre Company

by Berkshire On StageOctober 9, 2019

by Gail M. Burns Oldcastle Producing Artistic Director Eric Peterson has written a play about the ongoing local PFOA crisis. In case you don’t live…

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REVIEW: “Church and State” Circle Theatre Players at Sand Lake Center for the Arts

by Berkshire On StageOctober 8, 2019

by Barbara Waldinger What an impact a director can have on the success of a play!  Jason Odell Williams’ Church and State, having been produced…

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