REVIEW: “Happy Days” at Bridge Street Theatre
by Macey Levin At the first moment of Samuel Beckett‘s Happy Days at Bridge Street Theatre in Catskill, New York, the curtain opens accompanied by…
REVIEW: “The Norwegians” at Shakespeare & Company
by Patrick White There were many loud laughs for me at The Norwegians by C. Denny Swanson and its broad swipes at the single women and the Minnesota nice men they…
REVIEW: “Picasso at the Lapin Agile” at the Bennington Theater
by Jeannie Marlin Woods John Lugar, Co-Artistic Director of Bennington Theater, is apparently not afraid of a challenge. In this marvelous little community theatre on…
REVIEW: “Hairspray” at the Mac-Haydn Theatre
by Jess Hoffman Hey there teenage Baltimore! The stage at the Mac-Haydn Theatre has been transformed into a 1960s recording studio for their current production…
REVIEW: “Primary Trust” at the Weston Theater Company
by Patrick White There is an aching fragility in the Weston Theater Company’s production of Primary Trust that can’t be dismissed even with all the superlative acting…
REVIEW: “13: The Musical” at Playhouse Stage Company
by Paula Kaplan-Reiss Memories of being 13 are often painful. Trying to fit in, struggling with physical changes of adolescence, and hoping to be popular…
REVIEW: “Lobby Hero” at the Dorset Theatre Festival
by Patrick White Dorset Theatre Festival is closing out its summer 2026 season with Kenneth Lonergan’s terrific, twisty, moral thriller Lobby Hero from 2001. For everyone who…
REVIEW: “Lucia di Lammermoor” at the Berkshire Opera Festival
by Barbara Waldinger What could be more satisfying for a theatre critic with a penchant for opera than to attend a bel canto performance of…