Review: Little Shop of Horrors at New York’s Ghent Playhouse
Gail Burns found Little Shop “a solid production of this beloved and technically difficult show,” despite having a few problems.
Gail Burns found Little Shop “a solid production of this beloved and technically difficult show,” despite having a few problems.
Critic Roseann Cane reports that “this production, beautifully directed by Eric Hill, boasts sterling actors who are not only up to the task, but inspired, fierce, funny, and fully realized.”
Review of Yasmina Reza’s outrageously funny Tony winning play in which two perfectly behaved couples meet to discuss a fight their two sons had, when civility slips away and all hell breaks loose.
One line zingers, swashbuckling swordplay, the ghost of a long dead actor and a young actor not sure of which direction to point his life make this a fun evening of comedy and theatre.
Evita (Joanna Russell) and Che (Ryan Burch) may dominate the Theater Barn stage in this rarely done Andrew Lloyd Webber musical, but it is the whole cast which make this production special, say our online critics.
Rigoletto is possibly the most popular tragic opera in the repertory – and it was a whole new adventure for our theatre critic, Gail Burns. She marveled at its big sound in the intimacy of Hubbard Hall in Cambridge, NY.
Larry Murray reviews the play, which as its title implies, is about friends and interventions – politically as in supporting going to war – and personally, as in trying to prevent a friend from drinking themselves to death.
An entrancing evening of theatre history, through the eyes of Ira Aldridge, played by John Douglas Thompson.