REVIEW: “Grand Night for Singing” at the Mac-Haydn Theatre
by Paula Kaplan-Reiss A perfect title for this musical revue, A Grand Night for Singing at the Mac-Haydn Theatre bathes the audience in the glorious…
REVIEW: “Eisenhower: This Piece of Ground” at Barrington Stage Company
by Macey Levin Dwight David Eisenhower has a special place in the history of the United States of America. He was the commander-in-chief of the…
REVIEW: “The Elephant Man” at the Berkshire Theatre Group
by Paula Kaplan-Reiss Have we made much progress in how we treat ‘the other?’ Do we struggle with learning and accepting the interior of a…
REVIEW: The Black Theatre Troupe of Upstate NY Presents “Eclipsed” at theREP
by Paula Kaplan-Reiss Admittedly, I knew nothing about the Civil Wars in Liberia. In fact, I know nothing about Liberia in West Africa. Eclipsed by…
REVIEW: “Mary Jane” at Bridge Street Theatre
by Macey Levin Mary Jane is a single mother with a two and-a-half year old son, Alex, who has cerebral palsy, frequent seizures and difficulty…
REVIEW: “Rosencrantz and Guildenstern Are Dead” at Albany Civic Theater
by Sierra Pasquale In this smart, self-aware, and sharp-edged production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead at Albany Civic Theater, the audience is…
REVIEW: “Girl With a Camera” at the Claverack Library
by Macey Levin Girl with a Camera, is a world premiere by Byron Nilsson, produced by Constance Lopez and Lora Lee Ecobelli (both of whom…
REVIEW: “Pippin” at SLOC Musical Theatre
by Jess Hoffman Pippin is a musical theater classic, and it’s hard to explain why. Don’t get me wrong, I love it–I find the score…