REVIEW: “Nunsense” at the Ghent Playhouse

Reviewed by Gail M. Burns, May 2004 Twenty one years ago Dan Goggin opened Nunsense at a New York cabaret called the Duplex. The show was based, believe it or not, on a successful line of greeting cards Goggin had developed, and what was supposed to be a four weekend run lasted…

REVIEW: “H. M. S. Pinafore” at the Ghent Playhouse

Reviewed by Gail M. Burns, March 2004 “Never mind the why and whereforeLove can level ranks and therefore…”– W.S. Gilbert On the off chance that you have not seen, heard, or heard of H.M.S. Pinafore in the 126 years since it first opened in London in 1878, the idea that love levels…

REVIEW: “The Miser” at the Ghent Playhouse

Reviewed by Gail M. Burns, May 2003 The French find Molière and Jerry Lewis hysterically funny. I find them both mildy amusing but slightly inscrutable. Since my mother’s mother’s mother was French I have apparently inherited just enough French blood to get the jokes but not to laugh myself silly…

REVIEW: “The Beauty Queen of Leenane” at the Ghent Playhouse

Reviewed by Gail M. Burns, March 2003 The Beauty Queen of Leenane is a deeply disturbing play. It is an alarming blend of hysterical comedy, grand melodrama, horrifying violence, and the most bleak tragedy. That being said, this production at the Ghent Playhouse is beautifully and powerfully performed and directed, and…