REVIEW: “A Private Buffoon” at the Greenwoods Theatre
Reviewed by Gail M. Burns, July 2002 Oh dear, oh dear! How to delicately put this…? Mr. Richard Smithies, co-owner and director of the Greenwoods…
REVIEW: “Sophie Tucker: Last of the Red Hot Mamas” at The Mac-Haydn
Reviewed by Gail M. Burns, July, 2002 The last time I saw an (almost) one woman show about Sophie Tucker, I wrote the following: “Whenever…
REVIEW: “Crazy for You” at The Mac-Haydn
Reviewed by Gail M. Burns, July, 2002 I am about to launch in to a scintillating dissertation of the creative history of Crazy For You, so…
REVIEW: “1776” at The Mac-Haydn
Reviewed by Gail M. Burns, July, 2002 The Spirit of ’76 is alive and well at the Mac-Haydn this week in this lively, well-staged production…
REVIEW: “Henry V” at Shakespeare & Company
Reviewed by Gail M. Burns, July, 2002 It has been a very long time since I have had to think seriously about King Henry V…
REVIEW: “Henry VI Chronicles, Part I” at Shakespeare & Company
Reviewed by Gail M. Burns, July 2002. My son Brandon and I walked down into the meadow behind the Founders’ Theatre on an impossibly beautiful…
REVIEW: Wharton One-Acts: “Roman Fever” and “the Other Two” at Shakespeare & Company
Reviewed by Gail M. Burns, July 2002. Dennis Krausnick and a familiar group of actors have teamed once again to bring two tiny gems of…
REVIEW: “Dirty Blonde” at StageWorks
Reviewed by Gail M. Burns, July, 2002 There is one particular Tony Award-winning musical that I go to see every time it is mounted in…