REVIEW: “The Urmetazoan” at Barrington Stage Company
by Patrick White Barrington Stage is offering a terrific sci-fi escape from our troubled world with their strange, mesmerizing North American premiere, The Urmetazoan by Alex…
REVIEW: “A Number” at the Ancram Center for the Arts
by Macey Levin The Ancram Center For The Arts is currently presenting Caryl Churchill’s intriguing and provocative “A Number.” The play is indicative of Churchill’s…
REVIEW: “Storm Still” at Bridge Street Theatre
by Patrick White Bridge Street Theatre is celebrating storytelling with one of the theater’s greatest stories ever told, King Lear, used as a cathartic salve…
REVIEW: “The Last American Newspaper” at Capital Repertory Theatre
by Sierra Pasquale Few institutions have been eulogized as often as the local newspaper, and few of those eulogies come from someone who lived inside…
REVIEW: “The 39 Steps” at Lake George Dinner Theatre
by Patrick White Patrick Barlow’s The 39 Steps from 2005 is hugely influential, satisfying on repeated viewings and evergreen in its current incarnation at the…
REVIEW: “The Counter” at Harbinger Theatre
by Dan Mayer In a 2024 interview with Forbes, writer Meghan Kennedy said that “face-to-face communication sometimes feels like an endangered species.” It’s hard to…
REVIEW: “Breathing Time” at Creative License Theater Collective
by Jess Hoffman I have to admit I did absolutely zero research before I went to the Cohoes Music Hall to review Creative License’s current…
REVIEW: “Parallel Lives” at Albany Civic Theater
by Paula Kaplan-Reiss The audience is told before Parallel Lives opens at the Albany Civic Theater that Mo Gaffney and Kathy Najimy, the playwrights and…