REVIEW: “Camp Siegfried” at WAM Theatre
by Barbara Waldinger In a January 18, 2024 article for PBS’s American Experience entitled: “Scenes from Nazi Summer Camp,” Kirstin Butler writes: “In the years…
REVIEW: “My Children! My Africa!” at the Black Theatre Troupe of Upstate New York
by Patrick White Black Theatre Troupe of Upstate New York (BTTUNY) is constantly surprising and challenging its participants, audiences and greater community with daring selections…
REVIEW: “Macbeth” at Schenectady Civic Players
by Patrick White Note from the Company: For Macbeth, Schenectady Civic Players is introducing the Angel Light Program, an accessibility measure developed by director and…
REVIEW: “Little Bear Ridge Road” at TheaterWorks Hartford
by Patrick White Samuel D. Hunter has been slowly amassing a very impressive body of work since his first major success with the Obie winning…
REVIEW: “Broadway Bound” at the Sand Lake Center for the Arts
by Sierra Pasquale Neil Simon’s Broadway Bound is the last chapter of his Eugene trilogy, and it arrives at the Sand Lake Center for the…
REVIEW: “Burnout Paradise” at The Egg
by Patrick White The Egg is hosting the five star Australian collective Pony Cam this weekend performing the hyperkinetic, nerve tickling workout called Burnout Paradise.…
REVIEW: “Vanya” at Barrington Stage Company
by Barbara Waldinger Google’s AI Overview defines a tour de force as “an impressive or extraordinary achievement, performance, or creation that demonstrates a high degree…
REVIEW: “Clue” at Home Made Theater
by Dan Mayer There are few adaptations of board games to the stage and screen, and still fewer that are any good. The 1985 film…