REVIEW: “The Human Comedy” at Barrington Stage Company

Reviewed by Gail M. Burns, June 2006 “The threads of misery and joyAre woven fine.Into a vast design,When tragedy gives way to comedy.Until you can’t discernThe line between them.”– William Dumaresq I cannot think of a show more wholesome and squeaky clean than The Human Comedy. When people speak about “American…

REVIEW: “The Burnt Part Boys” at Barrington Stage

Reviewed by Gail M. Burns, June 2006 The first thing this show needs is a new title. The Burnt Part Boys suggests a tragic tale of burn victims or innocent civilians wounded as “collateral damage” in some war. In fact this is a fairly gentle musical coming-of-age tale about two brothers, Jake…

REVIEW: “Fiddler on the Roof” at The Mac-Haydn

Reviewed by Gail M. Burns, June, 2006 I was once turned down for a desk job because I was “not ethnic enough.” Anyone with two brain cells can tell that that is a patently ridiculous statement. We are all “ethnic” and ethnicity is not something that can be quantified. In…

REVIEW: “South Pacific” at The Mac-Haydn

Reviewed by Gail M. Burns, June, 2006 When I go to see an oft-produced classic like South Pacific I ask myself two questions: Does it effectively tell the story? Does it bring anything new to the story? Some theatrical reimaginings bring so much that is new that the original intent is lost,…

REVIEW: “The Cat, The Sun, and The Mirror” at the New York State Theatre Institute

Reviewed by Gail M. Burns, June 2006 It is a sad comment on how we prioritize our arts dollars that I am used to seeing even the very best children’s theatre presented with fairly low-budget production values. So NYSTI’s top-flight production of The Cat, the Sun, and the Mirror, a new…

REVIEW: “Enchanted April” at Shakespeare & Company

Reviewed by Gail M. Burns, June, 2006 Enchanted April is a mediocre play based on a charming novel being given a far better production than it deserves at Shakespeare & Company. While this production is enjoyable and features fine performances in the leading roles by Diane Prusha and Tod Randolph, I…

REVIEW: “Caught in the Net” at The Theater Barn

Reviewed by Gail M. Burns, June 2006 The Theater Barn has launched their 23rd season with a rip-snorting farce, Caught in the Net, which has been directed with verve by Michael Marotta and performed at break-neck speed by an amiable cast, solidly anchored by the hilarious performance of John Philip Cromie…