REVIEW: “Spamalot” at The Bushnell
by Simon Brighenti, Special to Berkshire on Stage In this reviewer’s previous life as a lawyer, my colleagues and I would often encounter various Latin…
REVIEW: “Fuddy Meers” at Albany Civic Theater
by Dan Mayer A play that aggravates spellcheckers and invites the question “Wait, what’s it called?”, David Lindsay-Abaire’s Fuddy Meers is an absurd comedy with…
REVIEW: “All Is Calm” at Playhouse on Park
by Simon Brighenti, Special to Berkshire on Stage The best art is both inspirational and aspirational. It moves us to believe we are capable of…
REVIEW: Irving Berlin’s “White Christmas” at The Goodspeed
by Suzanne Wells, Special to Berkshire on Stage The Goodspeed Opera House’s production of Irving Berlin’s “White Christmas,” directed by Hunter Foster, is the perfect…
REVIEW: “On Golden Pond” at Bridge Street Theatre
by Barbara Waldinger Sometimes a performer leaves such an indelible impression in the interpretation of a character that it’s hard to accept another actor in…
REVIEW: Harbinger Theatre’s “Swing State” at SLCA
by Jess Hoffman Harbinger Theatre has made a name for themselves in the New York Capital Region as a small volunteer theater company bringing lesser-known,…
Winners of the 2025 Berkshire Theatre Awards Announced
PITTSFIELD, MA (October 14, 2025) – The Board of the Berkshire Theatre Critics Association (BTCA) has presented the 2025 Berkshire Theatre Critics Awards, colloquially known…
REVIEW: “Pippin” at The Two of Us Productions
by Paula Kaplan-Reiss The quest for purpose and meaning in life is universal. Roger O. Hirson and Stephen Schwartz used this theme in their musical,…