REVIEW: The Black Theatre Troupe of Upstate NY Presents “Eclipsed” at theREP
by Paula Kaplan-Reiss Admittedly, I knew nothing about the Civil Wars in Liberia. In fact, I know nothing about Liberia in West Africa. Eclipsed by…
REVIEW: “Mary Jane” at Bridge Street Theatre
by Macey Levin Mary Jane is a single mother with a two and-a-half year old son, Alex, who has cerebral palsy, frequent seizures and difficulty…
REVIEW: “Rosencrantz and Guildenstern Are Dead” at Albany Civic Theater
by Sierra Pasquale In this smart, self-aware, and sharp-edged production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead at Albany Civic Theater, the audience is…
REVIEW: “Girl With a Camera” at the Claverack Library
by Macey Levin Girl with a Camera, is a world premiere by Byron Nilsson, produced by Constance Lopez and Lora Lee Ecobelli (both of whom…
REVIEW: “Pippin” at SLOC Musical Theatre
by Jess Hoffman Pippin is a musical theater classic, and it’s hard to explain why. Don’t get me wrong, I love it–I find the score…
REVIEW: “A Perfect Ganesh” at Schenectady Civic Players
by Sierra Pasquale Schenectady Civic Players‘ production of A Perfect Ganesh aims for spiritual resonance but lands squarely in the realm of cultural insensitivity. Terrence…
REVIEW: “Ragtime” at Goodspeed Musicals
by Suzanne Wells, special to Berkshire on Stage “Ragtime, The Musical” is a dramatic, inspiring, and entertaining production by Goodspeed Musicals, directed by Christopher D.…
REVIEW: “Fairview” at Confetti Stage
by Jess Hoffman I was unfamiliar with Fairview when I went to see Confetti Stage’s production of Jackie Sibblies Drury’s Pulitzer-winning dramedy. Confetti’s website touts…