REVIEW: “WEB” at Sand Lake Center for the Arts

by Jess Hoffman Sand Lake Center for the Arts is continuing its eclectic season with a play by Capital District native Brendan Mack about a murder trial and barnyard animals–a play that combines the wonder of children’s classic Charlotte’s Web with the gritty real world of mental illness and criminal…

REVIEW: “Spring Awakening” at Playhouse Stage

by Jess Hoffman Playhouse Stage Company has taken on a challenging yet rewarding project with their current production of Spring Awakening. For those unfamiliar with this musical, it is a rock musical adaptation of the 1891 German play of the same name by Frank Wedekind. It premiered in 2006 (when…

REVIEW: “Fun Home” at Schenectady Light Opera Company (SLOC Musical Theater)

by Jess Hoffman Fun Home is a musical adaptation of the autobiography of Alison Bechdel. For those unfamiliar, Alison Bechdel is a well known lesbian comic artist and feminist, most well known for her long-running comic strip, Dykes to Watch Out For and for bringing “The Bechdel Test” into feminist…

REVIEW: “The Great Divide” at Bridge Street Theatre

by Macey Levin  Bridge Street Theatre’s SoloFest presented its third of four one-woman plays March 15 through 17.  “The Great Divide,” written and performed by Amy Crossman, is a comic, and heartbreaking tour de force. As a nineteen-year-old she goes to a New Year’s Eve party where she knows only…

REVIEW: “Afterlife: a ghost story” Creative License Theater Collective

by Jess Hoffman Creative License’s current production at Cohoes Music Hall calls itself a ghost story. In a sense it is; but Afterlife is about those psychological ghosts that haunt people from the inside: grief and regret, to name just two. The first act revolves around married couple Connor and…