REVIEW: “The Norwegians” at Shakespeare & Company
by Patrick White There were many loud laughs for me at The Norwegians by C. Denny Swanson and its broad swipes at the single women and the Minnesota nice men they…
REVIEW: “Primary Trust” at the Weston Theater Company
by Patrick White There is an aching fragility in the Weston Theater Company’s production of Primary Trust that can’t be dismissed even with all the superlative acting…
REVIEW: “Lobby Hero” at the Dorset Theatre Festival
by Patrick White Dorset Theatre Festival is closing out its summer 2026  season with Kenneth Lonergan’s terrific, twisty, moral thriller Lobby Hero from 2001. For everyone who…
REVIEW: “Black Coffee” at the Sand Lake Center for the Arts
by Patrick White Black Coffee served up by the Circle Theatre Players at the Sand Lake Center for the Arts has a most pleasing appearance, stage…
REVIEW: “Fellow Travelers” at the Glimmerglass Festival
by Patrick White Fellow Travelers takes its place on Glimmerglass Festival’s schedule as the “modern masterpiece” as Artistic and General Director Rob Ainsley described it in…
REVIEW: “Robin Hood” at the Glimmerglass Festival
by Patrick White You will have to move quick and stealthily to catch Robin Hood, this year’s Youth Opera on the Glimmerglass Festival main stage in…
REVIEW: “Come From Away” at the Adirondack Theatre Festival
by Patrick White Come From Away, the miraculous Tony and Olivier Award winner about the life saving need for generous hospitality has touched down at…
REVIEW: “Madame Butterfly” at the Glimmerglass Festival
by Patrick White Madame Butterfly, one of the most produced operas ever since its debut in 1907, takes pride of place on Glimmerglass Festival’s calendar…