REVIEW: “Macbeth” at Schenectady Civic Players
by Patrick White Note from the Company: For Macbeth, Schenectady Civic Players is introducing the Angel Light Program, an accessibility measure developed by director and…
REVIEW: “Little Bear Ridge Road” at TheaterWorks Hartford
by Patrick White Samuel D. Hunter has been slowly amassing a very impressive body of work since his first major success with the Obie winning…
REVIEW: “Burnout Paradise” at The Egg
by Patrick White The Egg is hosting the five star Australian collective Pony Cam this weekend performing the hyperkinetic, nerve tickling workout called Burnout Paradise.…
REVIEW: “The Urmetazoan” at Barrington Stage Company
by Patrick White Barrington Stage is offering a terrific sci-fi escape from our troubled world with their strange, mesmerizing North American premiere, The Urmetazoan by Alex…
REVIEW: “Storm Still” at Bridge Street Theatre
by Patrick White Bridge Street Theatre is celebrating storytelling with one of the theater’s greatest stories ever told, King Lear, used as a cathartic salve…
REVIEW: “The 39 Steps” at Lake George Dinner Theatre
by Patrick White Patrick Barlow’s The 39 Steps from 2005 is hugely influential, satisfying on repeated viewings and evergreen in its current incarnation at the…
REVIEW: “The Norwegians” at Shakespeare & Company
by Patrick White There were many loud laughs for me at The Norwegians by C. Denny Swanson and its broad swipes at the single women and the Minnesota nice men they…
REVIEW: “Primary Trust” at the Weston Theater Company
by Patrick White There is an aching fragility in the Weston Theater Company’s production of Primary Trust that can’t be dismissed even with all the superlative acting…