Reviewed by Gail M. Burns, October, 1998 Its a wonderful title, isn’t it? “Trapped in the Car with Mom” is a new musical-in-progress currently being presented by Barrington Stage in the Clock Tower Building in Pittsfield. The show was presented in staged readings at Barrington Stage’s summer home in Sheffield…
Reviewed by Gail M. Burns, October, 1998 Shakespeare & Company does many things well, but the two things it must do well to survive are stage Shakespeare and adapt Edith Wharton to the stage. In “Glimpses of the Moon” they have done the latter very well, but Edith Wharton, no…
Reviewed by Gail M. Burns, October, 1998 Shakespeare & Company’s annual Halloween benefit – is highly entertaining and a lousy night of theatre. I have been wrestling with this dichotomy ever since I drove away from The Mount on Friday night. What is an entertainment presented by actors with sets…
Reviewed by Gail M. Burns, September, 1998 The Dorset Theatre Festival is closing its 1998 season with a splendid and moving production of Jon Marans’ play “Old Wicked Songs” directed by Mark S. Ramont. And why, you might ask, should I get in my car and drive all the way…
Reviewed by Gail M. Burns, September, 1998 Weston Playhouse is closing its 1998 season with a production of Tennessee Williams’ “The Glass Menagerie”. This is a first for Weston – in all its 62 years of producing plays it has never mounted Williams’ 1945 classic. It may be a first…
Reviewed by Gail M. Burns, September, 1998 The production of Sam Shepard’s “Simpatico” at the Manic Stage in North Adams is theatre with a capital “T”. Actor/director Spencer Trova and company have mounted a riveting production of a dark and complex play. I say “…and company” because this truly is…
Reviewed by Gail M. Burns, September, 1998 When I was an aspiring teenage playwright, there were very few female playwrights for me to use as role models. In fact, there was only one – Lillian Hellman (1905-1984). Naturally, I was interested in who this one pioneer was and what she…
Reviewed by Gail M. Burns, August, 1998 Let me state at the outset that I am not an opera expert. I cannot discuss a singer’s coloratura or vibrato; and I barely know an aria from a recitative. But I know what I like when I see it, and Berkshire Opera…
