Reviewed by Gail M. Burns, May 2005 Let’s get things straight at the outset:1. Nuncrackers is a Nunsense show.2. Theatre critics hate Nunsense shows and I am a theatre critic.3. Nunsense shows are completely “critic-proof.” Critics hate ‘em and audiences love ‘em. Some might argue that item three above proves that critics are woefully out of touch with…
Reviewed by Gail M. Burns, August 2004 I knew that I had reviewed a previous production of The King and I at the Mac-Haydn many years ago, and that I had had some problems with it. Looking back at my review from 1998, I see that it was the first show I…
Reviewed by Gail M. Burns, June 2004 Gypsy is a great big, old-fashioned musical. Big is the operative word here. It calls for a big cast and endless scenery and costume changes as it spans a couple of decades and tries to tell the interlocking stories of several people’s lives. Someone…
Reviewed by Gail M. Burns, August, 2003 Like millions of young girls, Frances Hodgson Burnett was one of my favorite authors when I was growing up. I confess that I vastly preferred the plucky Sara Crewe of A Little Princess (1905) to the sour Mary Lennox of The Secret Garden (1911) but in my adult years…
Reviewed by Gail M. Burns, August, 2002 Mame Dennis must be up there in the Bawdy Broads Afterlife laughing with delight at the lengthy run her nephew’s tales of her have had. Patrick Dennis became an overnight sensation when his memoir Auntie Mame was first published in 1955. Considered risqué at the…
