REVIEW: “Born Yesterday” at the Ghent Playhouse
Reviewed by Gail M. Burns, October 2004 I don’t know about other theatre folks, at least once during the rehearsals for each show I have…
REVIEW: “Nunsense” at the Ghent Playhouse
Reviewed by Gail M. Burns, May 2004 Twenty one years ago Dan Goggin opened Nunsense at a New York cabaret called the Duplex. The show was based,…
REVIEW: “H. M. S. Pinafore” at the Ghent Playhouse
Reviewed by Gail M. Burns, March 2004 “Never mind the why and whereforeLove can level ranks and therefore…”– W.S. Gilbert On the off chance that…
REVIEW: “Private Lives” at the Ghent Playhouse
Reviewed by Gail M. Burns, January 2004 “We’re talking about a style that became a way of being for a lot of people. English cultural…
REVIEW: “The Time of Your Life” at the Ghent Playhouse
Reviewed by Gail M. Burns, November 2003 “In the time of our life, live – so that in that wondrous time you shall not add…
REVIEW: “Dracula” at the Ghent Playhouse
Reviewed by Gail M. Burns, September 2003 The frost was on the pumpkin, the wind was wild, and wispy streaks of grey cloud whipped past…
REVIEW: “The Miser” at the Ghent Playhouse
Reviewed by Gail M. Burns, May 2003 The French find Molière and Jerry Lewis hysterically funny. I find them both mildy amusing but slightly inscrutable.…
REVIEW: “The Beauty Queen of Leenane” at the Ghent Playhouse
Reviewed by Gail M. Burns, March 2003 The Beauty Queen of Leenane is a deeply disturbing play. It is an alarming blend of hysterical comedy, grand…