Reviewed by Gail M. Burns, August, 2007 Some old musicals are just that – old. But The Music Man is one of that handful of shows that is always fresh and fun. Written in the 1950’s but set in an amorphous and idealized 1912 (some of the topical references in the show…
Reviewed by Gail M. Burns, March 2007 C-R Productions has mounted another rip-snorting musical at the Cohoes Music Hall, this time Frank Wildhorn’s Jekyll and Hyde, a huge hunk of faux-Victorian balderdash if there ever was one, but in this fast-paced and engaging presentation directed by Jim Charles the foolishness is overshadowed…
Reviewed by Gail M. Burns, June, 2006 When I go to see an oft-produced classic like South Pacific I ask myself two questions: Does it effectively tell the story? Does it bring anything new to the story? Some theatrical reimaginings bring so much that is new that the original intent is lost,…
Reviewed by Gail M. Burns, August 2004 Phineas Taylor Barnum (1810-1891) was 60 years old when Barnum’s Grand Traveling Museum, Menagerie, Caravan, and Circus made its debut. At the time, it was the largest circus venture in American history. Shortly thereafter Barnum coined the phrase “The greatest show on earth,”…
Reviewed by Gail M. Burns, July 2004 Swing! is the kind of show that I am on record as disliking. It is all song and dance – no script, no plot. I just panned Honky Tonk Angels last week as being a bad example of this mindless genre. But I am happy to…
