REVIEW: “In the Next Room” at Schenectady Civic Players
by Sierra Pasquale Schenectady Civic Players’ production of In the Next Room (or the Vibrator Play) approaches Sarah Ruhl’s quietly subversive comedy with clear affection…
by Sierra Pasquale Schenectady Civic Players’ production of In the Next Room (or the Vibrator Play) approaches Sarah Ruhl’s quietly subversive comedy with clear affection…
Home Made Theater is proud to bring the Tony Award-winning musical 1776, with music and lyrics by Sherman Edwards and a book by Peter Stone, to…
by Sierra Pasquale Schenectady Civic Players‘ production of A Perfect Ganesh aims for spiritual resonance but lands squarely in the realm of cultural insensitivity. Terrence…
by Dan Mayer In storytelling, insightful political commentary can sometimes come at the cost of fully realizing the characters as people. In Casa Valentina, playwright…
by Sierra Pasquale Toward the end of Lisa Kron’s “Well” she notes, “This avant garde, metatheatrical shit will really bite you in the ass”, and…
by Dan Mayer Driving Miss Daisy is Alfred Uhry’s most successful play, which he adapted into the screenplay for the critically-acclaimed film of the same…
by Jess Hoffman Until I saw Schenectady Civic Players’ current production, August: Osage County was my favorite play that I had never seen. That is…
by Jess Hoffman The premise of Classic Theater Guild’s current production, Picasso at the Lapin Agile, is a simple but very intriguing one: an absurdist…