Reviewed by Gail M. Burns, June 2008 Last year, when Shakespeare & Company opened with a production of Tom Stoppard’s Rough Crossing, many of my colleagues proclaimed it a “laugh riot.” I didn’t, because it wasn’t. It was certainly good fun, but it was not hilarious. But this year’s season opener, The…
Reviewed by Gail M. Burns, October, 2006 This double bill, featuring a reading of Edgar Allan Poe’s The Pit and the Pendulum and a stage adaptation of Edith Wharton’s Kerfol, is a modest little Halloween thrill. Shakespeare & Company has gone all out and decorated the lobby of the Founders’ Theatre with cobwebs…
Reviewed by Gail M. Burns, July, 2006 I’ll eat my hat if Dan McCleary’s side-splitting production of Carlo Goldoni’s The Servant of Two Masters isn’t the best comedy of this summer season. It is funny and fresh, performed with vigor by a top-notch cast. And admission is free! How could it get…
by Gail M. Burns, July, 2005. Down in the field behind the Founders’ Theatre at Shakespeare & Company, under a big white tent, sits the Rose Footprint Playhouse. Someday the company hopes to build an historically accurate replica of the Rose Theatre there. In the meantime the Rose Footprint serves…
