Reviewed by Gail M. Burns, March 2008 [The British public] just stared [at Anton Chekhov’s plays] and said, ‘How Russian!’ They did not strike me in that way. Just as Ibsen’s intensely Norwegian plays exactly fitted every middle and professional class suburb in Europe, these intensely Russian plays fitted all…
Reviewed by Gail M. Burns, February 2007 “Nothing is ever settled until it is settled right.” – Rudyard Kipling The New York State Theatre Institute kicks off 2007 by giving Agatha Christie fans exactly what they have been longing for – the world premiere of a literate new stage adaptation…
Reviewed by Gail M. Burns, November, 2003 Director Derek Campbell has taken a positively Wodehouseian approach to Oscar Wilde’s last play, and it works very well. Campbell has preserved the formality and stiffness of late Victorian Britain that Wilde so deftly lampoons, while moving the wordy dialogue along at a…
