Reviewed by Gail M. Burns, July, 2006 My little brown cat Mary is the epitome of style over substance. I believe she is constituted thusly:5% Purrs and Meows5% Owl-y Eyes and Pointy Ears15% Structural Necessities (i.e. bones, blood, vital organs, etc.)75% Fluff Andrew Lloyd Webber has constructed his Cats along the same…
Reviewed by Gail M. Burns, August 2005 I have a soft spot in my heart for Brigadoon for two reasons. First, I am married to Robert Burns and therefore required to enjoy all things Scottish, and secondly it was the first musical I ever saw on Broadway. I had just turned six…
Reviewed by Gail M. Burns, August 2005 Like every review I write, this is ONLY my opinion, but from where I sit Barry Manilow’s Copacabana is a terrible musical. It has a ludicrous book, cardboard characters for the hero and heroine, and a score with only one hummable tune – the title…
Reviewed by Gail M. Burns, July 2005 If you are a tap dance junkie looking for your next fix now that Savion Glover has departed from Jacob’s Pillow, you will want to book tickets NOW for 42nd Street at the Mac-Haydn. I went to the theatre with high hopes and fond memories…
Reviewed by Gail M. Burns, June 2004 Gypsy is a great big, old-fashioned musical. Big is the operative word here. It calls for a big cast and endless scenery and costume changes as it spans a couple of decades and tries to tell the interlocking stories of several people’s lives. Someone…
Reviewed by Gail M. Burns, June, 2002 Mack and Mabel is a legendary flop. It opened on Broadway in the fall of 1974 with the legendary Robert Preston and Bernadette Peters in the title roles. It has a score by the legendary Jerry Herman (composer of Hello, Dolly! and Mame), was directed and choreographed…
