REVIEW: “Brigadoon” at The Mac-Haydn Theatre

Reviewed by Gail M. Burns, August 2005 I have a soft spot in my heart for Brigadoon for two reasons. First, I am married to Robert Burns and therefore required to enjoy all things Scottish, and secondly it was the first musical I ever saw on Broadway. I had just turned six…

“Liberace: The Legend Lives” at The Mac-Haydn Theatre

Reviewed by Gail M. Burns, July 2005 The Mac-Haydn has already distributed a press release entitled “Liberace Wins Audience Raves”. I was in that audience and I can tell you right now that everyone there had a fabulous time, including your curmudgeonly critic. I realize that this admission may cost me…

REVIEW: “42nd Street” at The Mac-Haydn Theatre

Reviewed by Gail M. Burns, July 2005 If you are a tap dance junkie looking for your next fix now that Savion Glover has departed from Jacob’s Pillow, you will want to book tickets NOW for 42nd Street at the Mac-Haydn. I went to the theatre with high hopes and fond memories…

REVIEW: “Carousel” at The Mac-Haydn Theatre

Reviewed by Gail M. Burns, June 2005 In 1999, Time Magazine looked back over the entire 20th century, a century that saw the American musical take shape, and named Rodgers and Hammerstein’s second collaboration Carousel the Best Musical of the Century! High praise indeed. Rodgers and Hammerstein themselves liked Carousel the best of all…

REVIEW: “The Student Prince” at The Mac-Haydn Theatre

Reviewed by Gail M. Burns, June 2005 Every year, usually early in the season, the Mac-Haydn treats local audiences to a gem from the canon of English operetta. These are memorable because, with the exception of a couple of the Savoy operas, operetta is seldom heard these days. In its…

REVIEW: “Nuncrackers” at The Mac-Haydn Theatre

Reviewed by Gail M. Burns, May 2005 Let’s get things straight at the outset:1. Nuncrackers is a Nunsense show.2. Theatre critics hate Nunsense shows and I am a theatre critic.3. Nunsense shows are completely “critic-proof.” Critics hate ‘em and audiences love ‘em. Some might argue that item three above proves that critics are woefully out of touch with…