REVIEW: “Broke-ology” at the Williamstown Theatre Festival
Reviewed by Gail M. Burns, July, 2008 “He’s dying, but he’s not dead yet,” Malcolm King observes about his father William, who is suffering from…
REVIEW: “The Atheist” at the Williamstown Theatre Festival
Reviewed by Gail M. Burns, June, 2008 George Bernard Shaw grouped his earliest published plays into volumes entitled Pleasant and Unpleasant. Using that system, Ronan…
REVIEW: “Beyond Therapy” at the Williamstown Theatre Festival
Reviewed by Gail M. Burns, June, 2008 Ah, the American mental health system. My most recent brush with it entailed a therapist who demanded that…
REVIEW: “Crimes of the Heart” at the Williamstown Theatre Festival
Reviewed by Gail M. Burns, August, 2007 “I went to see an all African-American production of The Cherry Orchard with Gloria Foster and James Earl Jones as…
REVIEW: “Party Come Here” at the Williamstown Theatre Festival
Reviewed by Gail M. Burns, July, 2007 Party Come Here is a lively and intriguing new musical with a book by Daniel Goldfarb and music and…
REVIEW: “Villa America” at the Williamstown Theatre Festival
Reviewed by Gail M. Burns, July, 2007 “Those closest to the Murphys found it almost impossible to describe the special quality of their life, or…
REVIEW: “Dissonance” at the Williamstown Theatre Festival
Reviewed by Gail M. Burns, July, 2007 To my great surprise, I got to see Dissonance on the Nikos Stage at the WTF. And I liked it…
REVIEW: “Ancestral Voices” at the Williamstown Theatre Festival and the Weston Playhouse
Reviewed by Gail M. Burns, July, 2000 This show is a surprise. The WTF announced that they were going to do it, and then that…