Harbinger Theatre Closes Season with “The Best We Could (a family tragedy)”
ALBANY, NY — Harbinger Theater’s fifth season wraps up with The Best We Could (a family tragedy) by Emily Feldman, directed by Chris Foster. As Harbinger’s 23rd…
REVIEW: “My Children! My Africa!” at the Black Theatre Troupe of Upstate New York
by Patrick White Black Theatre Troupe of Upstate New York (BTTUNY) is constantly surprising and challenging its participants, audiences and greater community with daring selections…
REVIEW: “Little Bear Ridge Road” at TheaterWorks Hartford
by Patrick White Samuel D. Hunter has been slowly amassing a very impressive body of work since his first major success with the Obie winning…
REVIEW: “Burnout Paradise” at The Egg
by Patrick White The Egg is hosting the five star Australian collective Pony Cam this weekend performing the hyperkinetic, nerve tickling workout called Burnout Paradise.…
REVIEW: “Storm Still” at Bridge Street Theatre
by Patrick White Bridge Street Theatre is celebrating storytelling with one of the theater’s greatest stories ever told, King Lear, used as a cathartic salve…
REVIEW: “The 39 Steps” at Lake George Dinner Theatre
by Patrick White Patrick Barlow’s The 39 Steps from 2005 is hugely influential, satisfying on repeated viewings and evergreen in its current incarnation at the…
REVIEW: “The Counter” at Harbinger Theatre
by Dan Mayer In a 2024 interview with Forbes, writer Meghan Kennedy said that “face-to-face communication sometimes feels like an endangered species.” It’s hard to…
REVIEW: “Primary Trust” at the Weston Theater Company
by Patrick White There is an aching fragility in the Weston Theater Company’s production of Primary Trust that can’t be dismissed even with all the superlative acting…