REVIEW: “Million Dollar Quartet Christmas” at theREP
by Roseann Cane The jubilation of the audience at the Capital Repertory Theatre’s Million Dollar Quartet opening night was unmistakable. From the beginning of the…
REVIEW: “Copenhagen” at the Berkshire Theatre Group
by Roseann Cane In 1941, the German atomic physicist Werner Heisenberg met with his former mentor, Danish physicist Neils Bohr, and Bohr’s wife Margrethe, in…
REVIEW: “What the Constitution Means to Me” at Capital Rep
by Roseann Cane Written in 2017, with a Broadway premiere in 2019, Heidi Schreck’s What the Constitution Means to Me garnered a slew of awards…
REVIEW: “La Bohème” at the Berkshire Opera Festival
by Roseann Cane Today one of the most frequently performed operas in the world, La Bohème premiered in 1896 in Turin, conducted by the 28-year-old…
REVIEW: “Honky Tonk Angels” at Capital Repertory Theatre
by Roseann Cane For 25 years since its premiere in Tulsa, Oklahoma, Honky Tonk Angels has been produced in venues nationwide. Capital Repertory Theatre’s glitzy,…
REVIEW: “tiny father” at Barrington Stage Company
by Roseann Cane We first see Daniel (Andy Lucien), a 30-something event planner for a major bookstore chain, as he bursts into the NICU (Neonatal…
REVIEW: “The Happiest Man on Earth” at Barrington Stage
by Roseann Cane The Barrington Stage Company has opened their season with a play that’s a mesmerizing punch in the gut. I urge you to…
REVIEW: “The Wizard of Oz” at Capital Repertory Theatre
by Roseann Cane Prepare to be dazzled…if, like me, you’re fortunate enough to see theRep’s current production of The Wizard of Oz. I always expect…