REVIEW: “Witch” at Confetti Stage
by Dan Mayer The term witch can invoke a lot of different meanings depending on the context. In this case, it’s a label used to…
REVIEW: “Distant Country Called Youth” at Harbinger Theatre
by Dan Mayer A name like Tennessee Williams can seem larger than life, preceded by a huge reputation and a world-renowned body of work, but…
REVIEW: “The Seafarer” at Schenectady Civic Players
by Dan Mayer Just on the heels of St. Patrick’s Day, Schenectady Civic Players feature award-winning Irish playwright Conor McPherson with their latest production. The…
REVIEW: “The Lion in Winter” at Confetti Stage
by Jess Hoffman I feel I must start this review by making it clear how much I love all things medieval. I attend renaissance festivals…
REVIEW: The Black Theatre Troupe of Upstate NY presents “Confederates” at theREP
by Jess Hoffman A play that opens on the image of an old photograph of an enslaved Black woman nursing a White infant promises a…
Harbinger Theatre Announces First Show of 2026 Season
HARBINGER ‘26 Show #1 A Distant Country Called Youth By Steve Lawson Adapted from the early letters of Tennessee Williams With Patrick White Directed by…
REVIEW: Harbinger Theatre’s “Swing State” at SLCA
by Jess Hoffman Harbinger Theatre has made a name for themselves in the New York Capital Region as a small volunteer theater company bringing lesser-known,…
Harbinger Theatre Seeks Sound & Lighting Tech
Harbinger Theatre is seeking a Board Op to run our sound and light cues on QLab for our production of Swing State directed by Brian Sheldon. Lighting…