Latham, NY — Curtain Call Theatre is presenting Gaslight by Patrick Hamilton in an all new adaptation by Steven Dietz. This play is Directed by Curtain Call Resident Director Steve Fletcher. Based on Hamilton’s 1939 play and the subsequent film adaptation starring Ingrid Bergman and Charles Boyer, Dietz takes us to 1880’s Victorian England…
Curtain Call Theatre (Latham, NY) is seeking STAGE MANAGER For – The Garbologists By Lindsay Joelle Directed by Steve Fletcher February 27-March 16, 2025 – Saturday Matinee March 8 Rehearsals Begin: January 2025 This outside-the-box comedy pairs a gruff, blue-collar NYC sanitation worker hiding a heart of gold with a determined…
The first main stage play of Schenectady Civic Players’ 94th season, “This Random World” by Steven Dietz and directed by Cristine M. Loffredo, opens Friday, November 12, and plays through Sunday, November 21 at its 12 south church street playhouse in Schenectady’s historic stockade district. “This Random World”, one of…
SCHENECTADY, NY – Schenectady Civic Players, the area’s oldest, longest running, continually operating community theater, announces four main-stage productions for its 94th season, opening November 12 with THIS RANDOM WORLD at its 12 South Church Street playhouse in Schenectady’s historic Stockade district. The four plays are: THIS RANDOM WORLD by…
Schenectady Civic Players, the area’s oldest, longest running, continually operating community theater, announces six main-stage productions for its upcoming 92nd season, opening October 11 with A DOLL’S HOUSE, PART 2 at its 12 South Church Street playhouse in Schenectady’s historic Stockade district. A DOLL’S HOUSE. PART 2, by Lucas Hnath…
Burns and Murray review Shakespeare & Co’s “Private Eyes” and find it is a mystery play in more ways than one.
Reviewed by Gail M. Burns, April 2009 I don’t need to tell you that vampires are all the rage – again – if they ever went out of style in the first place. I confess I don’t understand the fascination and even seeing my beloved Raul Julia in the title…
by Gail M. Burns, August 2005. The Nina Variations raises a very important question. Is it fair to expect or require an audience to have to have a certain body of knowledge, or to make an effort to acquire it, before they can enjoy a play? If you are not quite…
