by Emily Edelman

In “Satellites” by Erin Breznitsky at Dorset Theatre Festival, astronaut Mike embarks on what is supposed to be a short space mission but doesn’t return to Earth and marine biologist wife Katherine for seven years. The play chronicles the couple’s readjustment to each other interspersed with vignettes from their past. It’s an intriguing premise, but one that suffers for lack of an actual conflict. I now assume this play is supposed to be more about relationships than about science, more a study of how people deal with stress and trauma than a presentation and eventual resolution of a tangible problem, but I was expecting a concrete narrative rather than an exploration that answers none of the questions it poses.

Nevertheless, the production is a treat to experience. Katherine and Mike are played by real-life married couple Kerry Bishé and Christopher Lowell, who are excellent in their roles and present an onstage connection as palpable and intimate as one would expect, most effective during the scenes in which they are distraught and/or confused. Alexander Woodward’s sparse, utilitarian set adapts nicely to frequent scene changes and leaves plenty of room for movement. Joey Moro’s beautiful and thoughtful projections show images of the couple as well as immersive perspectives of the night sky. Hidenori Nakajo’s sound and Masha Tsimring’s lighting both complement and enhance.

“Satellites” runs through Saturday, Aug. 16. Buy Tickets Online. (802) 867-2223 ext. 101 – boxoffice@dorsettheatrefestival.org

ADVISORY: This production contains bright flashes of light and the usage of water-based haze as well as water-based fog.

RUNTIME: An hour and 45 minutes with no intermission.

Playwright: Erin Breznitsky. Director: Adrienne Campbell-Holt. Cast: Kerry Bishé, Christopher Lowell. Scenic and costume design: Alexander Woodward. Lighting design: Masha Tsimring. Sound design: Hidenori Nakajo. Projection design: Jory Moro. Production stage manager: Colleen M. Rooney

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