by Suzanne Wells, Special to Berkshire on Stage
The Goodspeed‘s Terris Theatre presents “The Great Emu War,” a farcical story from the point of view of the Emus. Based on a true story, the “Great Emu War” of 1932 saw a flock of 20,000 towering, long-legged emus migrate into Western Australia, decimating its wheat crops. The government, ruffled by this invasion, deployed its military – armed with machine guns – to eradicate the nuisance. Imagine “The Roadrunner” cartoon with a National Geographic twist, for a sense of this comical, wildly dramatic, and occasionally risqué play.
Brimming with clever pop culture and political references, the show keeps the audience cackling, while lively songs, energetic choreography, and a dash of Hamlet-style revenge ensures that there is something for every member of the flock to enjoy.
Claire Saunders stars as Edith, a spirited and self-reliant young emu determined to make her own way. Rather than waiting to defend her nest, Edith uses clever tactics to outwit her adversaries. Saunders skillfully captures the struggles of a teenager frustrated by her father’s overprotective wing, while also portraying a female boldly exploring her independence and sexuality. While Saunders’ impressive vocal range is occasionally showy for Edith’s story line, it is a delight to experience.
Taylor Matthew’s performance as Major Meredith delivers entertaining over-the-top drama, reminiscent of William Shatner and Alan Rickman. Embracing his inner villain, Matthew makes Major Meredith a man you love to hate – a gun-toting, bird-fearing protagonist whose comedic timing and expressive reactions perfectly depict the chaos of facing a flock of determined, unyielding emus.
The music, composed by Paul Hodge and skillfully directed by Angie Benson, features an array of infectious show tunes that anchor the story. Highlights include the charming “Backwards,” which portrays the quirky, zigzagging lifestyle of the Emu, and the spirited “Love Doesn’t Start with a Bang,” marking the beginning of a heartfelt romance. The score also delivers emotional depth with ballads like “Fly Solo,” sharing thoughtful fatherly wisdom, and “Stand Still,” capturing the bittersweet transition from youthful exuberance to adult responsibility. Rounding out the lineup is “Boom,” a playful boom-chicka-boom number bringing a cheeky twist that ironically suits the Emu-themed narrative.
“The Great Emu War” is a surprisingly entertaining, “booming” good production.
“The Great Emu War” book by Cal Silberstein & Paul Hodge, music & lyrics by Paul Hodge, directed and choreographed by Amy Anders Corcoran, musical direction by Angie Benson, ran October 6-26, 2025, at The Goodspeed’s Terris Theatre, 33 N Main St, Chester, CT. CAST: LaRaisha DiEvelyn Dionne, Claire Saunders, Ethan Peterson, Taylor Matthew, Jeremy Davis, and Morgan Cowling. CREATIVE TEAM: Costume design by Herin Kaputkin, lighting design by Colleen Doherty, sound design by Jay Hilton, orchestrations by Isaac Hayward.











