REVIEW: “La Bohème” at the Berkshire Opera Festival
by Roseann Cane Today one of the most frequently performed operas in the world, La Bohème premiered in 1896 in Turin, conducted by the 28-year-old…
REVIEW: “On Cedar Street” at the Berkshire Theatre Group
by Barbara Waldinger On Cedar Street is a musical based on Kent Haruf’s final novel, Our Souls at Night,a simple, bittersweet story about two lonely,…
REVIEW: “Jersey Boys” at the Mac-Haydn Theatre
by Lisa Jarisch I lied. I do confess it, and I beg forgiveness in the name of famed Broadway critic Walter Kerr, and perhaps with…
REVIEW: Ancram Opera House Presents The Plein Air Plays
by Macey Levin For the adventurous theatregoer, artistic directors, Jeffrey Mousseau and Paul Ricciardi, have created bold and provocative theatre experiences at the Ancram Opera…
REVIEW: “Circle Mirror Transformation” at the Chester Theatre Company
by Macey Levin Four acting hopefuls have enrolled for a creative dramatics class in the imaginary town of Shirley, Vermont. The group, led by the…
REVIEW: “Ms Holmes and Ms Watson – Apt. 2B” at the Dorset Theatre Festival
by Jeannie Marlin Woods MS. HOLMES & MS. WATSON – APT. 2B at the Dorset Theatre Festival is a rollicking and thoroughly entertaining farce currently…
REVIEW: “Faith Healer” at Barrington Stage
by Barbara Waldinger Of the twenty-four plays written by the great Irish dramatist Brian Friel (1929-2015), (probably best known in America for his multi-award winning…
REVIEW: “Golda’s Balcony” at Shakespeare & Company
by Jeannie Marlin Woods What a rare and marvelous experience is in the offing at Shakespeare and Company for the next couple of weeks. Actress…