REVIEW: “Blues for an Alabama Sky” at Barrington Stage
by Macey Levin It is 1930 and the Harlem Renaissance, as well as the Depression, is in full bloom. The community is struggling to find…
REVIEW: “Honky Tonk Angels” at Capital Repertory Theatre
by Roseann Cane For 25 years since its premiere in Tulsa, Oklahoma, Honky Tonk Angels has been produced in venues nationwide. Capital Repertory Theatre’s glitzy,…
REVIEW: “Still” at the Dorset Theatre Festival
by Jana Lillie The world premiere of Still at the Dorset Theatre Festival is stunning and needs to be seen. I do so enjoy seeing…
REVIEW: “The Sound of Music” at the Mac-Haydn Theatre
by Lisa Jarisch With the Mac-Haydn Theatre season’s 3rd offering, director John Saunders adds another gem to the collection of jewels in his directorial crown,…
REVIEW: “The Complete Works of William Shakespeare (Abridged)” at SLOC Musical Theater
by Paula Kaplan-Reiss Editor’s Note: Director Jeannie Marlin Woods and assistant stage manager Jess Hoffman are members of our Berkshire on Stage team of critics,…
REVIEW: “Guards at the Taj” at the Chester Theatre Company
by Macey Levin Two friends banter, argue and dream as they stand guard at the Taj Mahal in Agra, Hindustan in 1653, the year of the…
REVIEW: “Off Peak” at Great Barrington Public Theater
by Barbara Waldinger If the script of a play is a blueprint, then its journey from page to stage depends not only on the playwright,…
REVIEW: “Million Dollar Quartet” at the Berkshire Theatre Group
by Barbara Waldinger Pondering why Million Dollar Quartet is so popular, Berkshire Theatre Group Director/Choreographer Greg Santos attributes its success to the “nostalgia factor”—the hit…