REVIEW: “Cabaret” at Barrington Stage Company
by Macey Levin Cabaret opened on Broadway in November, 1966, and went on to win eight Tonysincluding Best Musical (book by Joe Masteroff,) Best Original…
REVIEW: “The Motherf**ker with the Hat” Harbinger Theatre at the Albany Civic Theater
by Jess Hoffman Albany Civic Theater–a theater with a special place in my heart that has been central to my love of theater–is currently the…
REVIEW: “The Stones” at Great Barrington Public Theater
by Paula Kaplan-Reiss The Stones by Kit Brookman, in its American premiere at Great Barrington Public Theater, was first presented the summer of 2022 at…
REVIEW: “Boeing, Boeing” Circle Theatre Players at the Sand Lake Center for the Arts
by Jess Hoffman I’ve spoken to some theatergoers who tell me how tired they are of Boeing Boeing. It’s not that it isn’t a good…
REVIEW: “The Nether” at the Ghent Playhouse
by Jess Hoffman The Nether originally premiered in 2013, but seems even more relevant today than it was then. The current production at the Ghent…
REVIEW: “Hoodoo Love” Black Theatre Troupe of Upstate New York at Capital Rep
by Jess Hoffman The word “love” in the title Hoodoo Love might have some theatergoers mistakenly believing that it is a romantic play. This certainly…
REVIEW: “What the Constitution Means to Me” WAM Theatre and the Berkshire Theatre Group
by Macey Levin Heidi Schreck’s play What The Constitution Means To Me is an ambitious piece of theatre. Kate Baldwin portrays Ms. Schreck, who…
REVIEW: “The Happiest Man on Earth” at Barrington Stage
by Roseann Cane The Barrington Stage Company has opened their season with a play that’s a mesmerizing punch in the gut. I urge you to…