REVIEW: “The Lion King” at The Bushnell
by Lisa Covi Special to Berkshire on Stage There are few things in modern life as clear and entertaining as the story in a Disney…
REVIEW: “Into the Breeches” by Harbinger Theatre
by Jess Hoffman I’ll be the first to admit that I’m a sucker for theater about theater. When one has immersedoneself in stagecraft for as…
2024 Berkshire Theatre Critics Award Winners Announced
The 2024 Berkshire Theatre Critics Awards, aka The Berkies, were presented on Monday, November 11 in the Zion Lutheran Church Community Room, on First Street…
REVIEW: “The McAdo” at Valley Light Opera
by Gail M. Burns You will not enjoy this production if you are… 1. a Gilbertian purist 2. a Scotsperson who is rabid and humorless…
REVIEW: “Moon for the Misbegotten” at the Majestic Theater
by Mark G. Auerbach Special to Berkshire on Stage Eugene O’Neill is one of the 20th century’s most important American playwrights, but his intense, brooding…
REVIEW: “Dr. Jekyll and Mr. Hyde” at Hartford Stage
by Shera Cohen, Special to Berkshire on Stage An ideal play to commence Hartford Stage’s 2024/25 season coinciding with Halloween is “Dr. Jekyll & Mr.…
REVIEW: “Galileo’s Daughter” Produced by WAM Theatre
by Barbara Waldinger GALILEO’S DAUGHTER by Jessica Dickey, produced by WAM Theatre at Shakespeare & Company’s Bernstein Theatre, is the physical, intellectual and emotional journey…
REVIEW: “The Outsider” at the Ghent Playhouse
by Emily Edelman in Paul Slade Smith’s “The Outsider,” being staged by the Ghent Playhouse, a scandal that forces a state’s governor to resign thrusts…