REVIEW: “The Lion King” at The Bushnell

by Lisa Covi Special to Berkshire on Stage There are few things in modern life as clear and entertaining as the story in a Disney musical. It shows stark differences between villains and heroes; children and adults can laugh at the same jokes, and there is always a happy ending.…

REVIEW: “Into the Breeches” by Harbinger Theatre

by Jess Hoffman I’ll be the first to admit that I’m a sucker for theater about theater. When one has immersedoneself in stagecraft for as long as I have, it’s hard not to appreciate the way that theater cancomment on, and occasionally poke fun at, the purpose and process of…

2024 Berkshire Theatre Critics Award Winners Announced

The 2024 Berkshire Theatre Critics Awards, aka The Berkies, were presented on Monday, November 11 in the Zion Lutheran Church Community Room, on First Street in Pittsfield MA. Presenters included J. Peter Bergman, Paul Sugarman, Mark G. Auerbach, and Berkshire on Stage critics Macey G. Levin, Barbara Waldinger, and Paula…

REVIEW: “The McAdo” at Valley Light Opera

by Gail M. Burns You will not enjoy this production if you are… 1. a Gilbertian purist 2. a Scotsperson who is rabid and humorless about their ethnic heritage 3. a Gilbert & Sullivan hater Everyone else will have a wonderful time and should buy a ticket forthwith! I know…

REVIEW: “Moon for the Misbegotten” at the Majestic Theater

by Mark G. Auerbach Special to Berkshire on Stage Eugene O’Neill is one of the 20th century’s most important American playwrights, but his intense, brooding dramas aren’t performed as often as they should be. Hartford Stage produced his only comedy, Ah, Wilderness a couple of seasons ago, but O’Neill isn’t often seen…

REVIEW: “Dr. Jekyll and Mr. Hyde” at Hartford Stage

by Shera Cohen, Special to Berkshire on Stage An ideal play to commence Hartford Stage’s 2024/25 season coinciding with Halloween is “Dr. Jekyll & Mr. Hyde,” Jeffrey Hatcher’s adaptation of Robert Louis Stevenson’s classic. It is doubtful that no one in the audience was ignorant of the tale of a…

REVIEW: “Galileo’s Daughter” Produced by WAM Theatre

by Barbara Waldinger GALILEO’S DAUGHTER by Jessica Dickey, produced by WAM Theatre at Shakespeare & Company’s Bernstein Theatre, is the physical, intellectual and emotional journey of a New York City playwright in the midst of a painful relationship crisis. As narrator of the play, she explains to the audience her…

REVIEW: “The Outsider” at the Ghent Playhouse

by Emily Edelman in Paul Slade Smith’s “The Outsider,” being staged by the Ghent Playhouse, a scandal that forces a state’s governor to resign thrusts the lieutenant governor into the prominence he never wanted. Smith’s fast-moving comedy is hilarious from its first moments and remains that way till the end.…