REVIEW: “Girl With a Camera” at the Claverack Library
by Macey Levin Girl with a Camera, is a world premiere by Byron Nilsson, produced by Constance Lopez and Lora Lee Ecobelli (both of whom…
REVIEW: “Pippin” at SLOC Musical Theatre
by Jess Hoffman Pippin is a musical theater classic, and it’s hard to explain why. Don’t get me wrong, I love it–I find the score…
REVIEW: “A Perfect Ganesh” at Schenectady Civic Players
by Sierra Pasquale Schenectady Civic Players‘ production of A Perfect Ganesh aims for spiritual resonance but lands squarely in the realm of cultural insensitivity. Terrence…
REVIEW: “Ragtime” at Goodspeed Musicals
by Suzanne Wells, special to Berkshire on Stage “Ragtime, The Musical” is a dramatic, inspiring, and entertaining production by Goodspeed Musicals, directed by Christopher D.…
REVIEW: “Fairview” at Confetti Stage
by Jess Hoffman I was unfamiliar with Fairview when I went to see Confetti Stage’s production of Jackie Sibblies Drury’s Pulitzer-winning dramedy. Confetti’s website touts…
REVIEW: “Anastasia” at Opera House Players
by Shera Cohen The musical “Anastasia” returns to Connecticut, to the Opera House Players, after its premier at Hartford Stage some years ago, then onto…
REVIEW: “Rosie is Red and Everybody is Blue” at Capital Repertory Theatre
by Paula Kaplan-Reiss The world premiere of Rosie Is Red and Everybody Is Blue by John Spellos at the Capital Repertory Theatre in Albany is…
REVIEW: “Some Like It Hot” at The Bushnell
by Mark G. Auerbach I’ve been a major Some Like It Hot fanboy, since the musical released a video of the title song in the summer of…