REVIEW: “Ghost Dance” at Bridge Street Theatre
by Macey Levin Ralph Albert Blakelock is one of the least famous artists of the Hudson River School overshadowed by Thomas Cole and Frederic Church…
REVIEW: “Casa Valentina” at Schenectady Civic Theatre
by Dan Mayer In storytelling, insightful political commentary can sometimes come at the cost of fully realizing the characters as people. In Casa Valentina, playwright…
REVIEW: “O Time” at Bridge Street Theatre
by Macey Levin David Zellnik’s musical entitled “Yank” about gay soldiers during World War Two ran off-Broadway in 2005; it had several workshops in New…
REVIEW: “Help! I’m Trapped In A One-Woman Show” at Bridge Street Theatre
The second play in Bridge Street Theatre’s “Solofest” is the world premiere of “Help! I’m Trapped In A One-Woman Show” featuring Broadway actress Kate Skinner. …
REVIEW: “Peter and the Starcatcher” at SLOC Musical Theatre
by Sierra Pasquale “Peter and the Starcatcher”, currently playing at SLOC Musical Theater, is an ambitious production that brings to life the whimsical backstory of…
REVIEW: “The Lehman Trilogy” at Capital Repertory Theatre
by Paula Kaplan-Reiss The Lehman Trilogy by Stefano Massini takes us through the 164-year history of Lehman Brothers, one of the largest and most influential…
REVIEW: “Bent Compass” SoloFest 2025 show #1 at Bridge Street Theatre
by Macey Levin Bridge Street Theatre in Catskill, New York has begun its third “Solofest” with “Bent Compass” by Neil Brookshire and Colin Sesek. The…
REVIEW: “The Wiz” at The Bushnell
by Mark G. Auerbach The Wiz, currently at The Bushnell, sizzles on every level. Hannah Beachler’s psychedelic sets and Daniel Brodie’s incredible video and projections…