REVIEW: “The Taming of the Shrew” at Shakespeare & Company
by Sierra Pasquale “Taming of the Shrew is a hard one”, my companion for the evening noted as we were leaving thetheater and, especially in…
REVIEW: “Puffs” at the Sand Lake Center for the Arts
by Dan Mayer Not everyone is destined to defeat the dark lord and save the world. Puffs takes us back to a familiar school of…
REVIEW: “Satellites” at the Dorset Theatre Festival
by Emily Edelman In “Satellites” by Erin Breznitsky at Dorset Theatre Festival, astronaut Mike embarks on what is supposed to be a short space mission but…
REVIEW: The Plein Air Plays 3.0 at the Ancram Center for the Arts
by Paula Kaplan-Reiss What better way to spend a gorgeous August evening in the scenic fields of Ancramdale than seeing three wonderful short plays? For…
REVIEW: “Annie” at the Mac-Haydn Theatre
by Paula Kaplan-Reiss Multiple Tony Award winning musical, Annie, first on Broadway in 1977 for six years, revived on Broadway in 2012, toured all over…
REVIEW: “Joan” at Barrington Stage Company
by Macey Levin Joan Alexandra Molinsky began her career in comedy at various clubs in New York’s Greenwich Village. Unknown and raw, she learned her…
REVIEW: “The Best Medicine” at Great Barrington Public Theater
by Paula Kaplan-Reiss Great Barrington Public Theater, noted for producing new works, brings Robin Gerber’s one woman play, The Best Medicine to the stage. Gerber’s…
REVIEW: “The Last Five Years” at the Mac-Haydn Theatre
by Barbara Waldinger Mac-Haydn Theatre’s latest “Special Event” is a two-day run of Jason Robert Brown’s THE LAST FIVE YEARS, sandwiched in just before the…