REVIEW: “The Taming of the Shrew” at Shakespeare & Company

by Sierra Pasquale “Taming of the Shrew is a hard one”, my companion for the evening noted as we were leaving thetheater and, especially in 2025, I agree. Few works in Shakespeare’s canon provoke as much heatedconversation as this battle-of-the-sexes comedy, whose closing monologue can seem like a ringingendorsement of…

REVIEW: “Puffs” at the Sand Lake Center for the Arts

by Dan Mayer Not everyone is destined to defeat the dark lord and save the world. Puffs takes us back to a familiar school of magic to follow the stories of characters usually relegated to the background. SLCA‘s production casts quite a spell, delivering both hilarity and heart. Audience members…

REVIEW: “Satellites” at the Dorset Theatre Festival

by Emily Edelman In “Satellites” by Erin Breznitsky at Dorset Theatre Festival, astronaut Mike embarks on what is supposed to be a short space mission but doesn’t return to Earth and marine biologist wife Katherine for seven years. The play chronicles the couple’s readjustment to each other interspersed with vignettes from…

REVIEW: The Plein Air Plays 3.0 at the Ancram Center for the Arts

by Paula Kaplan-Reiss What better way to spend a gorgeous August evening in the scenic fields of Ancramdale than seeing three wonderful short plays? For the third year, Ancram Center for the Arts has treated its audience to this Plein Air experience, with the audience not finding out the location…

REVIEW: “Annie” at the Mac-Haydn Theatre

by Paula Kaplan-Reiss Multiple Tony Award winning musical, Annie, first on Broadway in 1977 for six years, revived on Broadway in 2012, toured all over the world and probably performed at every theater in this country, delights audiences again at Mac-Haydn Theatre. Annie last appeared at the Mac-Haydn in 2018,…

REVIEW: “Joan” at Barrington Stage Company

by Macey Levin Joan Alexandra Molinsky began her career in comedy at various clubs in New York’s Greenwich Village.  Unknown and raw, she learned her craft as a stand up comedian on the punishing “Paris Island” of live performance in smoky downtown joints.  She was rejected and demeaned but persisted. …

REVIEW: “The Best Medicine” at Great Barrington Public Theater

by Paula Kaplan-Reiss Great Barrington Public Theater, noted for producing new works, brings Robin Gerber’s one woman play, The Best Medicine to the stage. Gerber’s first play, The Shot, enjoyed great success at this theater. While that play starred Sharon Lawrence, this production features Caroline Aaron, also an award-winning actress,…

REVIEW: “The Last Five Years” at the Mac-Haydn Theatre

by Barbara Waldinger Mac-Haydn Theatre’s latest “Special Event” is a two-day run of Jason Robert Brown’s THE LAST FIVE YEARS, sandwiched in just before the final weekend of JESUS CHRIST SUPERSTAR.  Experimenting with events like concerts,  “Show Stoppers” and now a fully-staged musical, Producing Artistic Director John Saunders, who directs…