REVIEW: “The Piano Lesson” at Shakespeare & Company
by Barbara Waldinger On January 27, 1997, August Wilson (playwright) debated Robert Brustein (director, critic, professor) in New York’s Town Hall about race in the…
REVIEW: Playhouse Stage Company Presents Disney’s “The Little Mermaid” at the Cohoes Music Hall
by Jess Hoffman I don’t know if I’ll ever be able to let go of what Disney did to Hans Christian Anderson’s tragic and beautiful…
REVIEW: “The Mousetrap” at the Berkshire Theatre Group (Colonial Theatre)
by Barbara Waldinger Who hasn’t heard of THE MOUSETRAP? Reputed to be “the world’s longest running play,” Agatha Christie’s masterpiece, offered to director Gerry McIntyre…
REVIEW: “Jesus Christ Superstar” at The Mac-Haydn Theatre
by Paula Kaplan-Reiss The Andrew Lloyd Webber/Tim Rice Tony nominated rock opera, Jesus Christ Superstar is the fourth glorious musical of the Mac-Haydn Theatre season.…
REVIEW: “Annie” at The Sharon Playhouse
by Macey Levin [Editor’s Note: “Annie” is being produced at the Sharon Playhouse and the Mac-Haydn Theatre during many of the same weeks this season.…
REVIEW: “Get It Right” at Living Room Theatre
by Emily Edelman Living Room Theatre’s “Get It Right” is written and directed by LRT co-founder Randolyn Zinn and is the story of a New…
REVIEW: “A Case for the Existence of God” at the Chester Theatre Company
by Paula Kaplan-Reiss The title, A Case for the Existence of God playing at Chester Theatre Company gives little hint to the theme of this…
REVIEW: “Romeo and Juliet” at Shakespeare & Company
by Simon Brighenti, Special to Berkshire on Stage “Unexpected” is not a word you might expect in a review of a play written over 300-years…