REVIEW: “Beautiful: The Carole King Musical” at the Mac-Haydn Theatre
by Jeannie Marlin-Woods If you have ever grown nostalgic when you hear a song sung by The Drifters or The Shirelles or The Righteous Brothers,…
REVIEW: “I’m Almost There” at the Ancram Center for the Arts
by Macey Levin The Ancram Center For The Arts in Ancram, New York, has built a reputation for producing plays that challenge and charm audiences. …
REVIEW: “Dead Girl’s Quinceañera” at Barrington Stage Company
by Paula Kaplan-Reiss Who doesn’t love a mystery? Honestly, me. But I could not help but be drawn into Dead Girl’s Quinceañera by Phanesia Pharel…
REVIEW: “The Lisbon Traviata” at Bridge Street Theatre
by Paula Kaplan-Reiss This seems to be the season for reviving Tony award-winning playwright Terrence McNally’s plays. Having just reviewed Frankie and Johnny at the…
REVIEW: “Black Coffee” at the Sand Lake Center for the Arts
by Patrick White Black Coffee served up by the Circle Theatre Players at the Sand Lake Center for the Arts has a most pleasing appearance, stage…
REVIEW: “The Legend of Georgia McBride” at the Berkshire Theatre Group
by Barbara Waldinger From the moment David Adkins appears at a microphone wearing a baseball cap (as Eddie, the nearly bankrupt owner of Cleo’s bar…
REVIEW: “Fellow Travelers” at the Glimmerglass Festival
by Patrick White Fellow Travelers takes its place on Glimmerglass Festival’s schedule as the “modern masterpiece” as Artistic and General Director Rob Ainsley described it in…
REVIEW: “Shake It Up: The Remix” at Shakespeare & Company
by Barbara Waldinger Allyn Burrows, Artistic Director of Shakespeare & Company in Lenox, has been seeking ways to expand the company’s repertoire by collaborating with…