REVIEW: “Driving Miss Daisy” at Barrington Stage Company
by Jeannie Marlin Woods DRIVING MISS DAISY is a little gem of a production now playing in Barrington Stage Company’s intimate St. Germain Theatre. Directed by…
REVIEW: “John & Jen” at the Berkshire Theatre Group
by Barbara Waldinger Imagine a full-length musical with twenty-five vocal numbers, accompanied by keyboard, cello and percussion, staged on a simple, practical but stunning set,…
REVIEW: “A Turning of the Tide” Presented by NorthEast Theatre Ensemble & Siena University
by Patrick White A Turning of the Tide, presented by NorthEast Theatre Ensemble and Siena University in an immersive production at the historic Mabee Farms…
REVIEW: “Something Rotten” at The Dorset Players
by Emily Edleman In “Something Rotten,” currently being performed by the Dorset Players, Nick Bottom and his brother, Nigel, run a theater troupe in 1590s London…
REVIEW: “Hedwig and the Angry Inch” at Albany Civic Theater
by Sierra Pasquale There’s something thrillingly unhinged (and unexpectedly tender) happening at Albany Civic Theater right now. Their production of “Hedwig and the Angry Inch”…
OPINION: “Rooted” at WAM Theatre
by Emily Edelman Though I am not the official reviewer for WAM Theatre’s production of “Rooted” by Deborah Zoe Laufer, it impressed me so much that…
REVIEW: Green Day’s “American Idiot” at SLOC
by Paula Kaplan-Reiss Unfamiliar with Green Day’s music, but aware it attracts a younger crowd, I had few preconceptions about American Idiot, performed at SLOC…
REVIEW: “Witch” at Confetti Stage
by Dan Mayer The term witch can invoke a lot of different meanings depending on the context. In this case, it’s a label used to…