REVIEW: “What the Constitution Means to Me” at Capital Rep

by Roseann Cane Written in 2017, with a Broadway premiere in 2019, Heidi Schreck’s What the Constitution Means to Me garnered a slew of awards and nominations, including the honor of being a finalist for a Pulitzer Prize for drama. After seeing the show at Capital Repertory Theatre, I can…

REVIEW: “Lunar Eclipse” at Shakespeare & Company

by Barbara Waldinger A particular advantage of living in the Berkshires is the opportunity to witness gifted artists of all types creating the magic of live performance.  On September seventeenth, Donald Margulies, considered to be one of America’s foremost living playwrights, was in attendance at the sold-out opening of his…

REVIEW: “Our Town” at Sharon Playhouse

by Macey Levin When Thornton Wilder’s play Our Town opened in 1938 it was considered experimental: a character (the Stage Manager) speaks directly to the audience, there are no sets, no props, just the actors pantomiming everything from drinking coffee to throwing newspapers, and the words, marvelous words!  It is one…

OLLI Presents the ‘Berkshire Theatre Critics Panel’

Three Berkshire on Stage Critics on the Panel Pittsfield— On Thursday, September 14 at 10:30 a.m., OLLI: the Osher Lifelong Learning Institute at Berkshire Community College presents the “Berkshire Theatre Critics Panel”. Online, free, and open to all, the Berkshire Theatre Critics Panel returns for an in-depth discussion and review of the…

REVIEW: “The Marvelous Wonderettes” at the Mac-Haydn Theatre

by Lisa Jarisch At first glance, it almost seemed a cruel joke on the part of the Mac-Haydn Theatre management—choosing as the last show of the season The Marvelous Wonderettes, another jukebox musical, with “nothing” but a four-person all-female cast, following hard on the heels of the marvelous and wonderous…

REVIEW: “La Bohème” at the Berkshire Opera Festival

by Roseann Cane Today one of the most frequently performed operas in the world, La Bohème premiered in 1896 in Turin, conducted by the 28-year-old Arturo Toscanini. Set in Latin Quarter of Paris in the 1830s, it focuses on four young, impoverished bohemian artists, Marcello, a painter (baritone Benjamin Taylor);…

REVIEW: “On Cedar Street” at the Berkshire Theatre Group

by Barbara Waldinger On Cedar Street is a musical based on Kent Haruf’s final novel, Our Souls at Night,a simple, bittersweet story about two lonely, damaged, widowed neighbors, Addie Moore and Louis Waters, who have discovered through each other a second chance at connection, companionship, and even love.  In the…

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