REVIEW: “Newsies” at the Mac-Haydn Theatre
by Sierra Pasquale Every millennial theatre kid seems to have a Disney movie that became part of their personality. For me, it was Newsies. Long…
REVIEW(?): Gail Attends a “Weird Al” Concert
by Gail M. Burns “A man walks across this empty space whilst someone else is watching him, and this is all that is needed for…
REVIEW: “Cosí” at the Glimmerglass Festival
by Patrick White Are you ready to par-tay? Glimmerglass Festival is throwing a bash, a monster mash with their new production of Cosí whose abbreviated title is…
REVIEW: “Circus and The Bard: A Tempest Tossed” at Shakespeare & Company
by Emily Edelman Shakespeare & Company’s Circus & the Bard: A Tempest Tossed” is a collaboration with Sarasota, Florida-based Spirit of the Circus and juxtaposes…
REVIEW: “A Chorus Line” at Barrington Stage Company
by Macey Levin A number of Broaway musicals have been writen about Broadway musicals… 42nd Street, Gypsy, Kiss Me, Kate and many others The most…
REVIEW: “Once a Blue Moon (Cada Luna Azul)” at Double Edge Theatre
by Patrick White The auditorium of a theatre rarely changes from play to play once you enter the building. Sure, there are black boxes that…
REVIEW: “Letters from Max” at the Ancram Center for the Arts
by Macey Levin Max Ritvo (Evan Horwitz) walks into a poetry class at Yale University taught by Sarah Ruhl (Andrus Nichols.) Ruhl is, in fact,…
REVIEW: “Deep Blue Sound” at Silverthorne Theater Company
by Patrick White The extraordinary contemporary play about community in America, Deep Blue Sound by Abe Koogler,continues its journey delighting audiences and challenging theater artists with its…