REVIEW: “Salvage” at the Dorset Theatre Festival
by Emily Edelman Lena Kaminsky’s play “Salvage” at Dorset Theatre Festival is set at a small-town transfer station, and uses the actions of sorting through…
REVIEW: “How to NOT Save the World with Mr. Bezos” at Great Barrington Public Theater
by Emily Edelman In the world premiere of Maggie Kearnan’s “How to Not Save the World With Mr. Bezos” presented by Great Barrington Public Theater, an…
REVIEW: “Lend Me a Tenor” at the Ghent Playhouse
by Emily Edelman February 14-16 performances POSTPONED Though Ghent Playhouse’s presentation of Ken Ludwig’s “Lend Me a Tenor” runs for just two weeks and six performances,…
REVIEW: “Scrooge in Rouge” at the Bennington Theater
by Emily Edelman If you’re a fan of the traditional British Christmas panto, Bennington Theater’s current show will be of definite interest to you: With the…
REVIEW: “The Outsider” at the Ghent Playhouse
by Emily Edelman in Paul Slade Smith’s “The Outsider,” being staged by the Ghent Playhouse, a scandal that forces a state’s governor to resign thrusts…
REVIEW: “True Art” at the Dorset Theatre Festival
by Emily Edelman In Dorset Theatre Festival’s world premiere production of “True Art” by Jessica Provenz, museum art curator Jodi Dean acquires a world-famous work of…
REVIEW: “Sidekicked” at the Dorset Theatre Festival
by Emily Edelman Clocking in at just 65 minutes, “Sidekicked” by Kim Powers, currently being staged at Dorset Theatre Festival, is a riveting look at the…
REVIEW: “Night at the Speakeasy” at Great Barrington Public Theater
by Emily Edelman Immediately upon entering Bard College at Simon’s Rock’s McConnell Theater for Great Barrington Public Theater’s “Night at the Speakeasy,” one is met…