REVIEW: “Constellations” at Living Room Theatre
by Emily Edelman Nick Payne’s “Constellations,” currently being staged by Living Room Theatre in North Bennington, Vermont, was written to be played by two actors…
REVIEW: “Fully Committed” at Oldcastle
by Emily Edelman Oldcastle Theatre Company’s current offering is “Fully Committed,” a one-person show written by Becky Mode revolving around struggling actor Sam, played by…
REVIEW: “Scarecrow” at the Dorset Theatre Festival
by Emily Edelman Heidi Armbruster’s semi-autobiographical one-woman show “Scarecrow” opens with two well-meaning friends offering awkward advice to the main character on how to make…
REVIEW: “Wait Until Dark” at the Dorset Theatre Festival
by Emily Edelman Dorset Theatre Festival has opened its 2022 season with a revival of the Frederick Knott thriller “Wait Until Dark.” The adaptation by…
REVIEW: “Fun Home” at the Ghent Playhouse
by Emily Edelman The musical “Fun Home,” now on stage at the Ghent Playhouse, is based on the graphic memoir of the same title by…
REVIEW: “The World Goes Round” at the Mac-Haydn Theatre
by Emily Edelman Currently playing at the Mac-Haydn Theatre in Chatham, New York, is the musical revue “The World Goes ‘Round: The Songs of Kander…
REVIEW: “Beehive: the ’60s Musical” at the Mac-Haydn
The Mac-Haydn Theatre in Chatham, New York, is extending its season through the beginning of October with a number of musical revues and limited performances.…
REVIEW: “You’re a Good Man, Charlie Brown (Revised)” at the Theater Barn
by Emily Edelman The Theater Barn’s current production of “You’re a Good Man, Charlie Brown (Revised)” — “Revised” refers to the fact that this is…