REVIEW: “Fun Home” at Schenectady Light Opera Company (SLOC Musical Theater)
by Jess Hoffman Fun Home is a musical adaptation of the autobiography of Alison Bechdel. For those unfamiliar, Alison Bechdel is a well known lesbian…
REVIEW: “The Great Divide” at Bridge Street Theatre
by Macey Levin Bridge Street Theatre’s SoloFest presented its third of four one-woman plays March 15 through 17. “The Great Divide,” written and performed by…
REVIEW: “Afterlife: a ghost story” Creative License Theater Collective
by Jess Hoffman Creative License’s current production at Cohoes Music Hall calls itself a ghost story. In a sense it is; but Afterlife is about…
REVIEW: “Stage Kiss” at Confetti Stage
by Jess Hoffman Valentine’s month is not over yet! At least, not at Confetti Stage, where the current production is a romantic comedy called Stage…
REVIEW: “The Minutes” at Albany Civic Theater
by Jess Hoffman I have been enamored with playwright Tracy Letts ever since I read his Pultzer winner, August:Osage County for a high school theater…
REVIEW: “Lost in Yonkers” at the Sand Lake Center for the Arts
by Jess Hoffman Sand Lake Center for the Arts seems to be on a streak of launching fresh productions of old theater chestnuts. Their 2023…
REVIEW: “All My Sons” at the Ghent Playhouse
by Jess Hoffman Arthur Miller is perhaps best known for Death of a Salesman and The Crucible, but also amonghis notable works is All My…
REVIEW: “The Father” at Schenectady Civic Players
by Jess Hoffman The synopsis of The Father found on Schenectady Civic Players’ event page is short but telling: “Now 80 years old, André was…