REVIEW: “The McAdo” at Valley Light Opera
by Gail M. Burns You will not enjoy this production if you are… 1. a Gilbertian purist 2. a Scotsperson who is rabid and humorless…
REVIEW: “Moon for the Misbegotten” at the Majestic Theater
by Mark G. Auerbach Special to Berkshire on Stage Eugene O’Neill is one of the 20th century’s most important American playwrights, but his intense, brooding…
REVIEW: “Dr. Jekyll and Mr. Hyde” at Hartford Stage
by Shera Cohen, Special to Berkshire on Stage An ideal play to commence Hartford Stage’s 2024/25 season coinciding with Halloween is “Dr. Jekyll & Mr.…
REVIEW: “Galileo’s Daughter” Produced by WAM Theatre
by Barbara Waldinger GALILEO’S DAUGHTER by Jessica Dickey, produced by WAM Theatre at Shakespeare & Company’s Bernstein Theatre, is the physical, intellectual and emotional journey…
REVIEW: “The Outsider” at the Ghent Playhouse
by Emily Edelman in Paul Slade Smith’s “The Outsider,” being staged by the Ghent Playhouse, a scandal that forces a state’s governor to resign thrusts…
REVIEW: “Fever Dreams” at TheaterWorks Hartford
by Mark G. Auerbach Special to Berkshire on Stage Wow! A powerhouse of a new play, from the pen of TV’s Lost co-creator Jeffrey Lieber, full…
REVIEW: “A Beautiful Noise: The Neil Diamond Musical” at The Bushnell
by Mark G. Auerbach If you like those biographical jukebox musicals, like Jersey Boys (Frankie Valli and The Four Seasons), and Beautiful (Carol King), you’re going to love A…
REVIEW: “The Weir” at the Berkshire Theatre Group
by Barbara Waldinger The second most important announcement by the Berkshire Theatre Group, after its decision to produce THE WEIR, an exquisite play by Conor…