REVIEW: “Cabaret” at the Ghent Playhouse

A Snapshot of the Weimar Republic by Barbara Waldinger The classic Kander and Ebb musical CABARET portrays sexual depravity as a metaphor for the decadence of 1931 Germany, where the Nazis were poised on the cusp of power.  At least that was director Sam Mendes’s concept when he reimagined the…

REVIEW: “Picnic” at the Ghent Playhouse

Reviewed by Gail M. Burns, January 2008 “I have never sought to write plays that primarily tell a story…I have been most concerned with dramatizing something of the dynamism I myself find in human motivations and behavior. I regard a play as a composition rather than a story, as a…