REVIEW: “Eisenhower: This Piece of Ground” at Barrington Stage Company
by Barbara Waldinger Acting teachers and coaches often refer to the craft of acting as a tennis match: one actor sends a message (the ball)…
REVIEW: “Come From Away” at the Sharon Playhouse
by Paula Kaplan-Reiss It makes perfect sense that the musical, Come From Away by Irene Sankoff and David Hein is making the rounds of theaters…
REVIEW: “Jekyll & Hyde” at SLOC Musical Theater
by Sierra Pasquale Jekyll & Hyde was highly anticipated. Frank Wildhorn’s score went through more workshop productions, concept albums, and regional tryouts than almost any…
REVIEW: “Happy Days” at Bridge Street Theatre
by Macey Levin At the first moment of Samuel Beckett‘s Happy Days at Bridge Street Theatre in Catskill, New York, the curtain opens accompanied by…
REVIEW: “The Norwegians” at Shakespeare & Company
by Patrick White There were many loud laughs for me at The Norwegians by C. Denny Swanson and its broad swipes at the single women and the Minnesota nice men they…
REVIEW: “Picasso at the Lapin Agile” at the Bennington Theater
by Jeannie Marlin Woods John Lugar, Co-Artistic Director of Bennington Theater, is apparently not afraid of a challenge. In this marvelous little community theatre on…
REVIEW: “Hairspray” at the Mac-Haydn Theatre
by Jess Hoffman Hey there teenage Baltimore! The stage at the Mac-Haydn Theatre has been transformed into a 1960s recording studio for their current production…
REVIEW: “Primary Trust” at the Weston Theater Company
by Patrick White There is an aching fragility in the Weston Theater Company’s production of Primary Trust that can’t be dismissed even with all the superlative acting…