REVIEW: “Summer, 1976” at the Berkshire Theatre Group
by Paula Kaplan-Reiss Pulitzer Prize and Tony Award winning playwright, David Auburn, has written a masterful play featuring two very different women in Summer, 1976,…
REVIEW: “Grand Horizons” at the Ghent Playhouse
by Emily Edelman The action in the Ghent Playhouse’s production of Bess Wohl’s “Grand Horizons” centers around the abrupt decision by older couple Nancy and…
REVIEW: “The Urmetazoan” at Barrington Stage Company
by Patrick White Barrington Stage is offering a terrific sci-fi escape from our troubled world with their strange, mesmerizing North American premiere, The Urmetazoan by Alex…
REVIEW: “A Number” at the Ancram Center for the Arts
by Macey Levin The Ancram Center For The Arts is currently presenting Caryl Churchill’s intriguing and provocative “A Number.” The play is indicative of Churchill’s…
REVIEW: “Storm Still” at Bridge Street Theatre
by Patrick White Bridge Street Theatre is celebrating storytelling with one of the theater’s greatest stories ever told, King Lear, used as a cathartic salve…
REVIEW: “The Last American Newspaper” at Capital Repertory Theatre
by Sierra Pasquale Few institutions have been eulogized as often as the local newspaper, and few of those eulogies come from someone who lived inside…
REVIEW: “The 39 Steps” at Lake George Dinner Theatre
by Patrick White Patrick Barlow’s The 39 Steps from 2005 is hugely influential, satisfying on repeated viewings and evergreen in its current incarnation at the…
REVIEW: “The Counter” at Harbinger Theatre
by Dan Mayer In a 2024 interview with Forbes, writer Meghan Kennedy said that “face-to-face communication sometimes feels like an endangered species.” It’s hard to…