REVIEW: “Get It Right” at Living Room Theatre
by Emily Edelman Living Room Theatre’s “Get It Right” is written and directed by LRT co-founder Randolyn Zinn and is the story of a New…
REVIEW: “A Case for the Existence of God” at the Chester Theatre Company
by Paula Kaplan-Reiss The title, A Case for the Existence of God playing at Chester Theatre Company gives little hint to the theme of this…
REVIEW: “Romeo and Juliet” at Shakespeare & Company
by Simon Brighenti, Special to Berkshire on Stage “Unexpected” is not a word you might expect in a review of a play written over 300-years…
REVIEW: Heartbeat Opera’s “Vanessa” at the Williamstown Theatre Festival
by Michael Moran, Special to Berkshire on Stage [EDITOR’S NOTE: The Williamstown Theatre Festival did not include Berkshire on Stage on their press email list,…
REVIEW: Harbinger Theatre’s “Between Riverside and Crazy” at the Albany Civic Theater
by Jess Hoffman Two years ago, I reviewed Harbinger Theatre’s The Motherf**ker with the Hat by Stephen Adly Guirgis and was delighted with the heartfelt…
REVIEW: “Once” at Capital Repertory Theatre
by Jess Hoffman Musicals about musicians are almost as common as plays about thespians, and they tend to offer the same opportunities and be prone…
REVIEW: “Where the Mountain Meets the Sea” at the Ancram Center for the Arts
by Paula Kaplan-Reiss Ancram Center For the Arts never disappoints. Where the Mountain Meets the Sea by Jeff Augustin is currently playing, featuring a Haitian…
REVIEW: “The Book Club Play” at the Dorset Theatre Festival
by Emily Edelman In Karen Zacarías’ “The Book Club Play,” onstage at Dorset Theatre Festival through Saturday, July 26, a local book club has become the subject of a documentary…