REVIEW: “Madame Mozart: The Lacrimosa” at Great Barrington Public Theater
by Barbara Waldinger One of the most important missions of the Great Barrington Public Theater is: “to develop and produce new plays, with a focus…
REVIEW: “fuzzy” at Barrington Stage Company
by Macey Levin There is an extraordinary theatrical experience at Barrington Stage Company’s Saint Germain Stage. This world premiere, imaginatively written by Jeff Talbot, of…
REVIEW: “A Bronx Tale” at The Mac-Haydn Theatre
by Sierra Pasquale Having seen “A Bronx Tale” on Broadway where the towering presence of Nick Cordero as Sonny left a lasting impression, I wasn’t…
REVIEW: “Oklahoma!” at Park Playhouse (Playhouse Theatre Company)
by Jess Hoffman I have to admit I have no love for Rodgers and Hammerstein. I find their musicals boring and overly sentimental. My introduction…
REVIEW: “Out of Character” at the Berkshire Theatre Group
by Barbara Waldinger Ari’el Stachel, playwright and solo performer in his one-man show at Berkshire Theatre Group’s Unicorn, describes his motivation for writing this script:…
REVIEW: “100 Words for Snow” at the Chester Theatre Company
by Jeannie Marlin Woods The landscape of grief and loss can be a perilous territory in which to find oneself and those boundless emotions can…
REVIEW: “Salvage” at the Dorset Theatre Festival
by Emily Edelman Lena Kaminsky’s play “Salvage” at Dorset Theatre Festival is set at a small-town transfer station, and uses the actions of sorting through…
REVIEW: “Camelot” at Barrington Stage Company
by Jeannie Marlin Woods For over 500 years the story of King Arthur and his Round Table has held us under its spell. The legend…